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Book Club - by Luke

Book Club - November 2006

The Borribles Go For Broke

November 30th 2006 08:16


This is the second book in 'The Borribles' trilogy, published in 1981 - three years after the first Borrible adventure, and set almost immediately after the last book. You may remember my previous review of the first Borrible book from a few days ago... well, I'm quite happy to say that this book is a definate improvement on the rather awkward and juvenile first installment, and I read it a lot quicker as a result!


We pick up on the heroic Borribles of the 'Great Rumble Hunt' (the name given to their last adventure) only a few months after their return to the Battersea district of London. Chalotte seems to be our initial point of focus this time around, she drifts about feeling dejected and dispirited by the way their last adventure turned out - depressed by the absence of the Borribles who didn't make it. Soon the six surviving Borribles of that mission are back together again, aided by a new friend - the Bangladeshi Borrible Twilight - and by the duplicitous Spliff (who despatched the Borribles on their previous mission). They have received word that Sam, the horse they left behind, is alive and well and possibly within reach, and set about trying to figure out a way of finding and rescuing him.

However, it seems highly likely that Sam's whereabouts might be the end part of a trap laid by the SBG - the Special Borrible Group, a police division obsessed with capturing the Borribles and clipping their ears (thus taking away their Borrible-ness). And thus, so begins the second big Borrible adventure. Sooner than they know it, the Borribles have made friends with Old Ben, a rather stinky and likeable homeless drunk, and are back within range of Wendle territory - the horrible sewerage-ridden domain of a tyrannical group of Borribles who featured in the first book.


I have to say, this adventure was a lot more consistent, well-written and confident. The author seemed less self-conscious and his exposition-techniques were nowhere near as awkward. One aspect, such as Twilight the Bangladeshi Borrible, feels a little dated in it's overly-PC depiction and the author's general eagerness to be forward-thinking is a little embarressing in light of modern-day approaches to the problems of stereotyping. The SBG, on the other hand, are a marvellous creation - a much more solid and realistic threat than the rather two-dimensional Rumbles of the previous book, and they're a lot easier to hate as villains - being an absolute embodiment of authority and everything the Borribles stand against. The character of Old Ben also continues the author's subversive and anti-establishment tone... both he and the Borribles represent people who become marginalised by society simply because they're uninterested in things like money, jobs and order. It's a very admirable theme to make central to a book primarily aimed at teen readers. Kudos.

The ending is a lot better too. The action throughout the book is thick and fast and the ante is upped and tweaked chapter by chapter until everything explodes wonderfully. Some of the final developments are a little unexpected and perhaps unneccessarily violent, but quite good when the dust settles. It also leaves things nicely set up for the third and final adventure.
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Fighting Fantasy

November 29th 2006 08:22


The 'Fighting Fantasy' books were a series of interactive novels put together by Steve Jackson and Ian Livingstone in the 1980s. More Dungeons-and-Dragons styled role-playing than the more simplistic 'Choose Your Own Adventure' books, they featured a complexity of subplots and decisions that have seldom been matched in the interactive-book genre. Taking their cue from their source of inspiration, these books also utilised dice and notekeeping as part of the 'Fighting Fantasy' experience.

The series was kicked off by Ian Livingstone and Steve Jackson back in 1982. They wrote the first few books, most of which were of the medieval-styled realm of monsters scenario, and featured magic and sorcerors and thieve-guilds and all that sort of stuff. As the series progressed, more writers were added to the roster, including another Steve Jackson, Andrew Chapman, Peter Darvill-Evans and a whole host of other writers. Most of the books featured 400 seperate entries, and dice were often used to represent 'fighting' ala Dungeons-and-Dragons whenever you came up against a monster or some dude wanting to fight you in the novel. You also needed a pencil and some paper to keep track of your stamina, skill level, backpack contents and other things along those lines.



Forty or so of the sixty books in the series are set in the fantasy realm of Titan (the aforementioned medieval-styled monsters scenario) and feature all sorts of diabolical creatures and villains. A handful of the other books are set in a more science-fiction styled scenario - futuristic worlds of robots and cyborgs and spaceships and aliens. One book is set in a superhero-styled environment ('Appointment with F.E.A.R.'), and another is a more horror-styled piece set on modern-day Earth ('House of Hell').



Put simply, these books rule. They're incredibly nerdy, but they're a lot of fun too if you're a kid stuck indoors on a rainy day. I used to get them from my local library and I think I've played/read more than half of them. My favourites were probably ‘Crypt of the Sorcerer’ (the first one I read), ‘Deathtrap Dungeon’ (cause it had such a cool cover, hahaha) and ‘Scorpion Swamp’ (ingeniously, in this one you got to choose what kind of character you were).

The series is undergoing a bit of a revival at the moment, with some of the older titles getting re-released along with some new ones getting released too.
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Catch 22

November 28th 2006 05:49


'Catch 22' is considered by many to be the 'Greatest Novel of the 20th Century'. That's a pretty big fair-dinkum call. I don't know if I could restrict myself to make such a call, but if I ever did make an assertion along those lines, 'Catch 22' might very well be it, if not at least on the shortlist. It's that good a book. Not many books can claim to have had an impact on western society the way 'Catch 22' has. I mean, it invented the phrase 'Catch 22', and influenced a variety of texts from 'M.A.S.H.' in the 60s and 70s to the more recent 'Buffalo Soldiers', and fuelled anti-war protests all over the world in subsequent decades. So c'mon, recognise!

The book begins as an episodic look at an American WW2 fighting squadron based in the Mediterranean just outside Italy. Our focus is Captain Yossarian, a man desperately trying to get out of the war. His nerves are shot from dropping bombs, and he is obsessed with the idea that people are trying to kill him (such is the point of war). He repeatedly tries to get himself thrown out of the airforce by acting crazy, but the squadron's doctor asserts that it would be crazy NOT to act crazy, and therefore Yossarian can't be crazy. This is the central catch 22 of the book, though the text is riddled with them as a means to portraying the illogical paradoxes of war.

'Catch 22' devotes a lot of time to other characters on the squadron, a motley bunch of unhinged, tragic and/or hilarious characters whose personal stories overlap with Yossarian's and paint out the wider context of the war's senselessness. As such, the plot doesn't really move beyond that, the book is more concerned with exploring themes and the fates of it's characters. Having said that though, it's final act is a masterful sequence that eventually leads to an awesome ending.

What begins as a comedy, ends as the kind of tragedy where there isn't much one can do other than laugh. This kind of black humour would later be utilised for the popular series 'M.A.S.H.'', but it's in this book where it found it's legs. When it's funny it's laugh-out-loud stuff, propelled by great character dynamics and wit, but when it's serious it hits hard. This juxtaposition is what brings the horrors and tragic futility of war to the surface of the text in ways that few other books can match.

Predictably, 'Catch 22' was and remains a very controversial book. Heller really hit a goldmine with his ballsy and trailblazing attack on the war machine, and the fact that a lot of it was fuelled by his own personal experiences as a WW2 bombadier really rubbed a lot of people up the wrong way. Fuck 'em, I say. Fuck 'em all. This is one of the great novels, and all I have written about it in this blog is only the tip of the iceberg. This book could withstand a hundred re-reads. Go find a copy!

For a review of the film version of Catch 22 - gohere
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Fantasy craziness

November 27th 2006 07:48
I've mentioned this in blogs before, but I really enjoy a lot of 'kids' fantasy. There's something about fantasy books written for a teen or all-ages market (ala 'Harry Potter', 'His Dark Materials', 'The Hungry City Chronicles', etc, etc) that makes them really fun and engrossing... I don't know whether it's because they're more accessible, less pretentious or whatever, but there's a lot of good stuff out there that a lot of fantasy fans are probably missing out on - simply because they're too snobby to look in the 'kids' section of the bookstore occasionally.

Here are some books from said genre that have caught my eye lately (or a while ago and I'm still yet to get around to reading them) and sound cool...

The Ink Trilogy, by Cornelia Funke

Inkheart, Inkspell & Inkdawn
This is a trilogy of books by a German author. The books centre around a girl whose father is a bookbinder, and he also has the somewhat magical ability to bring characters from books into the real world. The first book, Inkheart, is set to be released as a film early next year, and will star Brendan Fraser, Jim Broadbent, Paul Bettany, Helen Mirren and Andy Serkis.

The Prydain Chronicles, by Lloyd Alexander

The Book of Three, The Black Cauldron, The Castle of Llyr, Taran Wanderer, The High King
These five books are now considered children's fantasy classics, and were first published in the 60s. They're medieval-styled fantasy books that draw on Welsh/Celtic mythology. The hero of these books is Taran, assistant pig-keeper to the enchanter Dallben. The second book, 'The Black Cauldron', was made into an animated film by Disney in the mid-80s.

The Inheritance trilogy, by Christopher Paolini

Eragon, Eldest, and an as-yet-untitled third book (possibly called 'Glaedr' or 'Empire')
Reputed to be highly derivative and not as much chop as a lot of people make them out to be, I just know I won't be able to resist reading these. The hype is too much, it's sucked me in, and I need to read them for myself. All I do know is that Christopher Paolini is a little shit... I wish my parents could afford to self-publish a book by me when I was 15! And he did the artwork on the covers too - motherfucker!

Larklight, by Philip Reeve

This one looks really cool. It's the first in a new trilogy by Philip Reeve (who wrote 'The Hungry City Chronicles') and it appears to feature a fantasy version of the solar system, where all the planets have breathable atmospheres and their own lifeforms. Sounds like it could be a lot of fun.


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Choose Your Own Adventure

November 24th 2006 03:49
You have come across the Book Club blog.
If you choose to keep on reading, look below the picture.
If you choose not to keep on reading, go elsewhere


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Dune

November 23rd 2006 03:02


'Dune' is the sci-fi/fantasy epic to end all sci-fi/fantasy epics. When I first read this book (I think I was about eigteen) it had a huge impact on me. I was all like, 'Woahhhhhh fucken hell', cause it was so freaking awesome. It landed on me in an even bigger fashion than Lord of the Rings did, that's how good it was


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What person are you?

November 22nd 2006 02:12
Most of us are, if you're a blogger that is, acquainted to writing in the first person. That's when we go "I did this, I did that, we don't care, blah blah blah". When I was in my younger days (at school) I had a great aversion to first person narrative. I hated writing in it, and I absolutely detested reading books written in it.


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The Borribles

November 21st 2006 04:07


'The Borribles' is the first book in a young adult/children's fantasy series written by British author Michael de Larrabeiti. It was published in 1976 and was a source of some controversy, owing to it's casual depiction of violence and it's somewhat subversive attitudes. As a result, the book was kind of buried after it's initial publication and it's sequels never really got released into the mainstream book market. In 2002 the three books were bound together as a trilogy and finally given a proper release... they're considered 'classics' but they aren't really all that well known. I picked up my copy of the trilogy omnibus in a bargain bin last year


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The Man Booker is among the most coveted and prestigous of book awards. Anyone within the Commonwealth or the Republic of Ireland is eligible for nomination (as long they currently live within these countries, it doesn't even matter if they were born outside the Commonwealth), provided they have written a full-length novel in the English language that is not self-published


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Selection Critera

November 16th 2006 05:47
How do you identify with what you read? Does it have to be contemporarily-written? Or contemporarily-set? Does it have to be real?

I once heard someone say that they found fiction books 'boring', and hence they only read biographies and the philosophical or political works. Some people I know can't get into a book unless they know the story is true


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Men Behaving Baldy - The Book

November 15th 2006 04:34


'Men Behaving Badly' was a comedy series that was voted as one of the best sitcoms of all time in Britain, and it ran for about six seasons (seven if you count the final special episodes). It was shown in Australia as well, and also had a bad American version made of it (starring Rob Schneider). I'm a huge fan of this show. Basically, it's about Gary - a real arsehole and generally pathetic man who manages a small security firm in Croyden by day, and becomes a 'drunken lord of misrule' by night, when he isn't breaking up with his long-suffering girlfriend Dorothy. For most of the shows' six or seven seasons he is joined by Tony - a somewhat more jolly character, though equally as badly behaved. Why is this being talked about in a blog about books? Well, the show actually had it's start as a novel


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Feeling Tense?

November 14th 2006 08:30
I don't normally talk about writing on here but I just wanted to chat a little about the use of tense in books and short stories and the like.

For the longest time, I thought that books could only ever be written in past tense


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Disgrace

November 13th 2006 08:08


'Disgrace' is a rather slim and bleak novel about post-apartheid South Africa, personal redemption, shame and the acceptance of pain. It won the 1999 Booker Prize, and caused somewhat of an uproar in it's home country - with charges being levelled against the author for his supposed damaging of the new South Africa's image. Controversy and prize aside, this is a powerful and unsettling novel


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The Last Battle

November 11th 2006 10:09


Well, I finally did it. I finished the Chronicles of Narnia. I was a little sad to finish off the seven books, part of me wanted the adventures to go on and on (much like the adventuring children in the novels)... I wanted to explore the furthest reaches of the land, witness the histories of Narnia, Archenland, Calormen, Telmar, the Lone Islands and Bism as they were played out, meet more interesting races and characters. I could've journeyed on and on through this magical land


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They say that everyone has one good book in them. Ever since I knew about stuff, I knew I wanted to be a writer. With this in mind, I hope I have more than one more book in me. There's a chance I don't though, I've been working on one book now for five years.

Harper Lee only had one book in her... and what a book! 'To Kill a Mockingbird' is one of the most-loved and critically-acclaimed books of the twentieth century


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When do you do your reading?

November 9th 2006 10:34
For a long time I hardly did any reading. This was solely due to the fact that I was working closer to home.

Now, you might think working closer to home would leave more time to read, but I hardly ever read at home. I find there are too many other things to do, too many distractions, and never enough time


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A Confederacy of Dunces

November 8th 2006 09:01


'A Confederacy of Dunces' is a Pullitzer Prize-winning piece of classic literature. It is also the only novel written by John Kennedy Toole, who committed suicide 11 years before the book was published. It also happens to be an extremely funny and original work... very well-written, enigmatic in it's construction and meaning, at turns hilarious and tragic, and memorable if only for the circumstances surrounding it's conception, publication and canonisation


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John Grisham

November 7th 2006 05:36


Everybody knows John Grisham. He's pretty much the man who invented the modern court-room drama in literary form. Around half of his books have been turned into films and almost every one of his books is a bestseller, and he releases a new one every year! It seems the more specialised a writer becomes, the more likely he or she is to be a bestseller... more and more I'm starting to think that people are attracted to formulaic storytelling - they want something they can understand straight away. Is this a knock-on effect from our gradually shortening media-fed attention spans


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Mr Blue

November 3rd 2006 10:28


'Mr Blue' is the memoir (or autobiography) of Edward Bunker. Bunker was a criminal for the first forty years of his life before getting his breakthrough as a writer. Now, when I say criminal, I don't mean someone who just committed the occasional crime, I mean someone who saw themselves as a professional thief. A man who would spend roughly 18 years in and out of prison. This book details these years, and those in between, giving us a fascinating an in-depth view of 'a life of crime


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Charlotte's Web - The Movie

November 2nd 2006 08:19
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Since 'Lord of the Rings' stormed the silver screen and Peter Jackson rose from b-grade horror auteur to Academy-Award winning director (and all-round household name!), there have been two or three biographies of the man rushed out to the masses. All of these were very much of the unofficial variety, writers poring over interviews and tracking his career from pre-go to woah, not without some passion or detail, but not with the direct involvement of the man himself either


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