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Book Club - by Luke

The Wandering Fire

February 15th 2008 22:41


'The Wandering Fire' is the second and shortest novel in Guy Gavriel Kay's Fionavar Tapestry, and is the fifth book I've read this year. This review will most likely be fairly short (but who can tell these things) as a lot of what I have to say about Kay's writing I've probably already said in my review of the first book in the trilogy, The Summer Tree. Mild spoilers ahead.


Picking up where the first novel left off, our five intrepid Earth heroes are back in Canada and unable to return to Fionavar. The book jumps right in regards to Jennifer's fate after her traumatic ordeal in The Summer Tree's last chapters and allows for some exciting developments early on. Obviously, our heroes don't remain on Earth for too long as this would be a fairly dull book if they did, and with the help of the group's seer, Kim, they travel to England and use the ancient power of Stonehenge to transport back to Fionavar. But not before Kim reawakens a hero from Earth's own past to bring back to fight the terrible war that is shaping up between the forces of light and dark.

It's hard to write a summation of the second book of a series for two reasons... 1) you don't really want to give anything away to anyone who hasn't read the first book but it's hard to say anything interesting without doing so (hence the mild spoilers warning - I've tried to avoid anything that really spoils it), and 2) it sounds crap and uninspiring because it requires a working knowledge of what has gone on before it in the first book. Hmmm... maybe that's just one big reason. Anyway, I'm unenthusiastic about this review and that's why. So from here on in I'll just kinda list what this entry in the trilogy seems to be about...


As the novel progresses it starts to become clear that this is more about each of the five Earth heroes finding their place in this new world they have been thrust upon. The previous novel tied up the fates of Kim as a seer and Paul as some kind of Jesus-like walking legend, whereas this novel delves more into the other three and what part they will play in the fate of the war, as well as their own fate and fate as a general idea in itself. Frequently we'll hear about what is meant to happen and then we'll see events scrambling forth in an attempt to adhere to some kind of structure of destiny, but it never really pans out the way it's foretold. Which is just as well, as it would be a boring book otherwise. The only major thing that seems to grate with me is how important all five of our heroes have become... perhaps some kind of prophecy at the beginning of the first book might have prepared me for this, but having five barely-capable students become God-shagging titans of myth seems to stretch credibility a bit. Yes, even in a fantasy novel. Another minor gripe is that Kay kills off a character at the book's climax only to drammatically bring him back to life. This would have been fine if he hadn't already done the same trick in the first book.

On the up side, 'The Wandering Fire' opens out the world of Fionavar a bit more. We learn further details of Cathal, a middle eastern-like garden kingdom to the south, and more is revealed of the twilight world of the various Gods who walk amongst the people of Fionavar - powerful beings who are (mostly) unable to interact with events. The only major group still left unexplored is the kingdom of Eridu in the far north, which I'm hoping will feature in the third novel. Kay also manages to keep things cracking along at a fair pace and things are never predictable, though the climactic battle between the forces of light and dark comes across as an almost unforgiveable pastiche of the two major battles from The Lord of the Rings... Kay rips off the dramatic arrival of the elves at Helm's Deep and the calling of the spirits from big battle in 'The Return of the King'. I just needed to say that as it was unbearably obvious to me when I read it.

Anyhow, this book was a nice read but I have to admit that I'm starting to tire of Fionavar a little. I'm about to wade into the third and final novel tomorrow so a review of that and the series as a whole should be soon pending.
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The Summer Tree

February 1st 2008 06:49


Book 3 of my almighty slog of 2008 is 'The Summer Tree', the first in a trilogy of fantasy novels by Guy Gavriel Kay, published in the 1980s, and collectively referred to as 'The Fionavar Tapestry'. Gavriel Kay (or just Kay - why do some people insist on having three names? It makes it hard to refer to them correctly in reviews like this and it makes it equally annoying if you have to arrange their books alongside other books in alphabetical order. Be damned!) is probably best known for this trilogy, but his enduring legacy will be his editorial work on J. R. R. Tolkein's 'The Silmarillion', which he helped Christopher Tolkein put together. Gavriel Kay originally trained as a lawyer before turning to writing, and is based in Canada. He can be largely viewed as carrying on Tolkein's legacy, and is amongst the first to tap into the second wave of interest that Lord of the Rings generated (mostly amongst university students in the 1970s - check your dad's bookcase for proof).

I waded into 'The Summer Tree' with a view in mind of adding it to the canon of must-read fantasy classics that are slowly being collated in my head. And whilst it's influence probably shouldn't be wholly discounted, I have to admit that I was somewhat disappointed in what this book initially seemed to offer, and with hindsight this impression is probably the result of many, many other paint-by-numbers fantasy epics having followed in the years since. So I'm trying to be as objective as possible, and I'm trying to ignore the aspects of this work that have since become cliches as they most likely weren't cliches when Gavriel Kay first wrote them.

The novel concerns the coming of five Canadian university students into the fantasy-realm of Fionavar. They are collected by a mage and brought from our world to this older, more magical one for the purposes of celebrating the king's 50th anniversary as ruler of High Brennin (one of the five major kingdoms contained in the continent of Fionavar). What the five students don't realise is that they have unwittingly been brought into a political powder keg waiting to explode - various factions vye for control of the throne and, somewhat more ominously, a chained God of destruction and darkness waits to make his comeback in the far north. It doesn't take long for the group to split up, and soon most of the five are finding their places in this world of gods and legends.

All the usual staples are present... mysterious and gruff dwarves, elf-like beings ofwisdom and light known as the lios alfar, a shady middle-eastern style empire to the south, a pantheon of enigmatic gods, an being of surpreme evil who once fought a mighty war against the allied peoples of Fionavar, and High Brennin itself - a medieval kingdom full of behind-the-scenes machinations and a cadre of jealous priestesses who worship a god known as the Mother. It's safe to say that a certain degree of the novel is derivative of Tolkein, and it's also in danger of turning into a bit of a yawnfest up until the third segment of the book, which introduces the Dalrei - a plain-dwelling people with more than a few resemblances to native americans. This part of the novel hooked me right in and was a pleasant break from all the usual fantasy info-dumping that had so far filled the book's 400-odd pages.

Also, as much as this book sometimes consciously resembles the work of Tolkein, Gavriel Kay does seem to be on a mission to correct his hero's mistakes. He aims to layer his story by making his characters deeper and more realistic, and thus gives the novel a more human element than Tolkein could ever achieve. Sometimes it's quite jarring to read the more adult aspects of the storyline that accompany these five modern earth-based protagonists as they move about and interact with this fantasy world, but it also serves to remind the reader (in this case, me!) that the stakes have been raised. Gavriel Kay aims big and probably introduces far too many characters and factions for his own good, along with a boggling amount of mythical backstory and magical artefacts, and whilst the presence of five identifiable characters should've made it easier to introduce concepts and background it doesn't to really swing that way, and I only really grasped who and what everything was by the very end of the book. The one exception to this is the Dalrei segment of the book, which is allowed to move along at it's own pace and without confusing asides to other characters and unexplained situations, which is probably why it stood out for me so much and helped cement my resolve to continue with the trilogy as a whole.

Oh, and it should also be said that the ending of 'The Summer Tree' is very good. Remember how I mentioned 'the stakes' just before? The ending puts them up very high and has a great sense of momentum and synchronicity, and all in all it leaves the book on a very high note. I can't really give much more of a review than that as it's really just the first volume of a larger story, so I'll continue my thoughts (and, eventually, my overall opinion) after I've read the next book.

So long suckers!
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The Eyre Affair

April 12th 2007 05:40


'The Eyre Affair' was first published in 2001, and yielded an exciting new path into speculative fiction. Part comedy, part crime novel, part fantasy and part love note to classical literature, Jasper Fforde's debut novel couldn't have been more original or readable. It undoubtably left a few bookstores scratching their heads... I've seen it placed in the literature section almost as much as in the fantasy/sci-fi section. 'The Eyre Affair' is the first book in Fforde's Thursday Next series. A fifth novel in this series is due for release later this year.

It's 1985 in an alternative version of our planet. Where we idolise the stars of sport, music and film, the people in this reality worship literature - in particular, the names behind the classics... Shakespeare, Dickens, Austen and, of course, Bronte. The Crimean War rages on some 135 years after England and Russia first went to war over the penninsula, and Wales is a Socialist Republic, hidden from England behind an iron curtain. Enter Thursday Next, a willful and no-nonsense Crimean veteran who now serves in SpecOps as a LiteraTec. SpecOps is a covert heirarchy of various special groups who take care of cases too unusual or tricky for regular police... the branch that Thursday works within is mainly responsible for monitoring and policing the high volume of frauds, fakes and scams that proliferate the literature market. And so we have our set up.

Thursday is called upon to temporarily join a more secretive branch of SpecialOps to deal with an enigmatic man she once knew, Acheron Hades. He is listed as the third most dangerous man alive, bullets don't hurt him, and he commits heinous and villainous crimes just for the thrill of it. So when he steals the original manuscript of Martin Chuzzlewit and holds it to ransom, things begin to look pretty bad. And when you throw in the shady Goliath Corporation (who seem to have more power than the government), an escalating situation with Russia, and a valuable device that makes it possible to travel through the very barriers of fiction, it looks like it can only get worse.

This is a very fun book. The set up I just described is only the tip of the iceberg... the entire novel is jampacked with subplots and characters and fantastic left-field ideas. It's very clear that Fforde was setting himself up for a series of novels with this book as he introduces a huge cast of characters and one or two unresolved plotlines, it's a little distracting at first as you find it hard to keep track of who is who and whether they'll reappear in the novel or not, but once you get into the swing of things and just go along with it you tend not to care too much... I stopped worrying the moment I liked the book because I know I'll probably read the rest of the series now, and I'm sure I'll see all these characters again.

I have to admit, I probably would've enjoyed this book a bit more had I been more familiar with Jane Eyre or the classics in general. But rest assured, even with a minimal knowledge of these books, I still thoroughly enjoyed 'The Eyre Affair' so I guess a working knowledge isn't absolutely neccessary. The chief villain of the book, Acheron Hades, is a good foil for the heroine and I wish he'd featured a bit more extensively in the bulk of the text, or that the book's main plotline had incorporated him more heavily, but I guess that's just niggling. Anyway, I enjoyed this novel a lot... Jasper Fforde has his own sort of genre going on, but if I had to mention some other names he could sit next to on the bookshelf I'd probably say Robert Rankin, Terry Pratchett and Douglas Adams.
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Prince Caspian - the Movie

March 14th 2007 05:50
Ben Barnes Prince Caspian
Ben Barnes is Prince Caspian


Well, I just finished watching the new(ish) film version of 'The Lion, The Witch and the Wardrobe' (but that's another blog), and it got me thinking about whether they're being serious about this franchise or not.

So I did some indepth research (EG. checked imdb.com) and sure enough, the film adaptation of 'Prince Caspian' is well and truly underway and on target for a 2008 release. The two most famous dwarven actors alive, Warwick Davis and Peter Dinklage, have been cast as the two main dwarves in the film - Trumpkin and Nikabrik. Liam Neeson is lending his vocal talents to Aslan once again, and all four child actors from the first film are reprising their characters as well. King Miraz is yet to be cast but it's rumoured that Antonio Banderas might be up for it (according to a very reputable source, the IMDB messageboards). Pictured above is the actor cast as Prince Caspian. No word yet on who will be providing the voice of Reepicheep the brave and dashing mouse.

As Narnia fans will be aware, 'Prince Caspian' is actually the fourth novel in the Chronicle of Narnia. However, it was actually written and released second and I think it's a smart move on the part of the filmmakers to skip over 'The Horse and His Boy'. Here is my reasoning...

1. The kids who play the Pevensie children won't be kids forever, if they want to keep the same actors they need to make the films that involve the Pevensie children before they adapt anything else in the series.
2. 'The Horse and His Boy' is fairly inconsequential as far as the Chronicles of Narnia go. I wouldn't be surprised (or disappointed) if it never got adapted. It's unlikely that it would get adapted anyway, due to it's rather racist subtext.
3. 'Prince Caspian' follows on directly from 'The Lion, The Witch and the Wardrobe' - so it just makes sense okay!

I hope this film does well, it would be great to see the majority of the books adapted for the screen. I'd love to see 'Voyage of the Dawntreader', 'The Silver Chair' and 'The Last Battle' all make it to the big screen.

As a footnote, if anyone's interested, I reviewed all seven of the Narnia books last year, here are the various reviews...
The Magician's Nephew
The Lion, The Witch and the Wardrobe
The Horse and His Boy
Prince Caspian
The Voyage of the Dawntreader
The Silver Chair
The Last Battle
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Assassin's Quest

March 13th 2007 05:19
Assassin's Quest


Reviews of the previous two books in this trilogy can be accessed by clicking these links


[ Click here to read more ]
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Ptolemy's Gate

February 23rd 2007 08:24
Ptolemy's Gate


'Ptolemy's Gate' is the last book in the increasingly popular 'Bartimaeus trilogy' by Jonathan Stroud, detailing the rise of a young magician named Nathanial in a right-wing Magician-run alternative version of Great Britain. Along with Nathanial (against his will) is the enslaved djinni Bartimaeus - a wry, sarcastic and powerful entity who's attitude towards the current status quo goes beyond words like 'jaded', 'disaffected' and 'bitter'. This book takes place another three years after the previous novel, ']The Golem's Eye', with Nathanial well and truly establshed within the British Government. As the final entry in a much-loved trilogy, it has some big expectations to meet - wrapping up a story set across the timespan of a decade that involves many opposing characters. And it's kudos to the author, Jonathan Stroud, as he manages it masterfully


[ Click here to read more ]
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Monster Blood Tattoo 2

January 29th 2007 08:55


Not too distantly in the past I read and reviewed a chidlren's fantasy book called 'Monster Blood Tattoo: Foundling'. It was a brilliantly original and atmospheric start to what will hopefully be a very memorable series, written by an Australian author, the multi-skilled D. M. Cornish (the books are awash with his wonderful illustrations as well


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The Spook's Secret

January 12th 2007 10:32


'The Spook's Secret' is the third book in Joseph DeLaney's excellent and horrifying series, 'The Wardstone Chronicles'. Like the previous two books, ''The Spook's Curse' and 'The Spook's Apprentice' (click for reviews), 'The Spook's Secret' lays the atmosphere on thick and wastes no time in launching straight into the action. It also continues to draw on various facets of British folklore, obscure and otherwise, to great effect


[ Click here to read more ]
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The Spook's Curse

December 21st 2006 10:54


'The Spook's Curse' is the second book in the Wardstone Chronicles series by Joseph Delaney, a series that is slowly gaining popularity via word-of-mouth and has recently been connected to film rumours. The first book, 'The Spook's Apprentice' (click for review), was a creepy and more than slightly disturbing 'childrens' book that made imaginative and extensive use of English folklore. 'The Spook's Curse' continues to bring the chills and spills, building substantially on Delaney's portrayal of a 18-19th century English countryside landscape at the mercy of ancient dark powers


[ Click here to read more ]
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Across the Dark Metropolis

December 13th 2006 04:54


'Across the Dark Metropolis' is the third and final book in the Borribles trilogy by Michael de Larrabeiti. If you've been following this blog at all, you might be familiar with my less than stellar reaction to this series. The first book was fairly clumsy and it's 'cult' status seemed fairly unwarranted. The second book picked up the game a bit and seemed to display a wiser sense of plot construction and grasp of language. So what's the verdict after reading the third book? It was - as they say - pretty 'how's it going', IE. Supremely average


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The Borribles Go For Broke

November 30th 2006 08:16


This is the second book in 'The Borribles' trilogy, published in 1981 - three years after the first Borrible adventure, and set almost immediately after the last book. You may remember my previous review of the first Borrible book from a few days ago... well, I'm quite happy to say that this book is a definate improvement on the rather awkward and juvenile first installment, and I read it a lot quicker as a result


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Fighting Fantasy

November 29th 2006 08:22


The 'Fighting Fantasy' books were a series of interactive novels put together by Steve Jackson and Ian Livingstone in the 1980s. More Dungeons-and-Dragons styled role-playing than the more simplistic 'Choose Your Own Adventure' books, they featured a complexity of subplots and decisions that have seldom been matched in the interactive-book genre. Taking their cue from their source of inspiration, these books also utilised dice and notekeeping as part of the 'Fighting Fantasy' experience


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Fantasy craziness

November 27th 2006 07:48
I've mentioned this in blogs before, but I really enjoy a lot of 'kids' fantasy. There's something about fantasy books written for a teen or all-ages market (ala 'Harry Potter', 'His Dark Materials', 'The Hungry City Chronicles', etc, etc) that makes them really fun and engrossing... I don't know whether it's because they're more accessible, less pretentious or whatever, but there's a lot of good stuff out there that a lot of fantasy fans are probably missing out on - simply because they're too snobby to look in the 'kids' section of the bookstore occasionally.

Here are some books from said genre that have caught my eye lately (or a while ago and I'm still yet to get around to reading them) and sound cool


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The Borribles

November 21st 2006 04:07


'The Borribles' is the first book in a young adult/children's fantasy series written by British author Michael de Larrabeiti. It was published in 1976 and was a source of some controversy, owing to it's casual depiction of violence and it's somewhat subversive attitudes. As a result, the book was kind of buried after it's initial publication and it's sequels never really got released into the mainstream book market. In 2002 the three books were bound together as a trilogy and finally given a proper release... they're considered 'classics' but they aren't really all that well known. I picked up my copy of the trilogy omnibus in a bargain bin last year


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