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Book Club - by Luke

The Last Battle

November 11th 2006 10:09


Well, I finally did it. I finished the Chronicles of Narnia. I was a little sad to finish off the seven books, part of me wanted the adventures to go on and on (much like the adventuring children in the novels)... I wanted to explore the furthest reaches of the land, witness the histories of Narnia, Archenland, Calormen, Telmar, the Lone Islands and Bism as they were played out, meet more interesting races and characters. I could've journeyed on and on through this magical land!


Our story starts in Narnia. For once we do not enter into the world alongside the Pevensie children or Eustace and Jill... instead we see the beginnings of some events within Narnia via the viewpoints of the native characters that are directly involved. This lends a kind of foreboding and ominous air to the proceedings... it just doesn't feel quite right.

Shift is a rather clever and devious ape. Puzzle, a donkey, is his somewhat dimmer friend. Shift is always taking advantage of Puzzle's dimness and a chance discovery of a lion's pelt sets in motion a series of events that will see Narnia finally perish altogether. Shift convinces Puzzle to dress in the lion pelt, and using the disguised donkey he presents his fellow Narnians with a false Aslan, making them his slaves. From here he enters into alliance with the swarthy and evil Calormenes (see 'The Horse and His Boy' for more on them) and this becomes the beginning of the end.

King Tirian, descended from King Caspian, is furious with this blasphemous usurping and, failing to stop it on his own, he manages to call Eustace and Jill back to Narnia to lend him help. But from here, things only seem to get worse, especially when Tash - the satanic vulture-headed Calormene god - shows up to wreak havoc.


Lewis pulls out all the stops for his last tale of Narnia. 'The Last Battle' starts right in the thick of the action, and Lewis continues his exploration of Christian themes and values - opting to cover new ground rather than repeat himself. Here we learn of the dangers of false prophets, and the woes of blasphemy and new age thinking (Lewis warns against the 'all Gods are one' mentality). Being the last book in the Chronicles, Lewis doesn't miss any chances to make his messages clear... amongst the themes covered or alluded to are the danger of the church misusing symbols for power (shown by the disallusionment of the Dwarfs), the dangers of a Godless world (greed will run unchecked) and the tragedy of the unbelieving (shown through the fate of the aforementioned Dwarfs). Not since 'The Lion, The Witch and the Wardrobe' has Lewis been so heavy-handed in his Christian preaching, but the apocalyptic elements of 'The Last Battle' seem to excuse it to some degree. It's almost like a payoff.

So, how does the series weigh up at the end of it all? I really liked 'The Last Battle', it managed to break new ground in the Narnia Chronicles (whereas the previous book, 'The Silver Chair', is a little bit more formulaic - if such a thing could be said for the Chronicles), and the revelations at the end were suitably drammatic and unexpected. Even if you're not really into Christianity (I'm not - I pretty much hate it), you should still find a lot to enjoy in these books. Adventure ahoy!
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The Silver Chair

October 31st 2006 07:14


'The Silver Chair' is the sixth book in C. S. Lewis' 'Chronicles of Narnia' series. It is also one of the few books in the series to not feature the Pevensie children.

Like most of the Narnia books I've read so far, I enjoyed this adventure immensely. Eustace (previously introduced to us in 'The Voyage of the Dawn Treader') goes to a rather horridly new age school known as Experiment House. Hoping to escape some bullies, he and his friend Jill run and hide in some bushes and Eustace tells Jill about Narnia. At this point, Aslan calls them to his own country - a high and beautiful land that overlooks all of Narnia and the seas surrounding it. Aslan has a quest for the two children, he asks that they find King Caspian's long-lost son.

And so the two children find themselves bound for the harsh Giant-dwelling lands to the north of Narnia, accompanied by a pessimistic but good-hearted Marshwiggle named Puddleglum. Lewis dazzles us with more fantastic peoples and lands... we meet the Lady of the Green Kirtle and her loyal and insane Black Knight, see into the less-than-pleasant homelands of the Giants, and also visit the Underland - a vast underground world of caverns and catacombs inhabited by dour and bizarrely-hewn creatures known as Earthmen.

Of course, there is also the obligatory lessons to be learned as Jill visits Narnia for the first time, and the Silver Chair of the title is only a brief (albeit important) part of the story. Puddleglum is a great character and I loved his hearty and resigned pessimism throughout the adventure. There were also a few aspects of the story that felt like setups for the final Narnia volume to come, especially the brief appearance of a sleeping titan known as Father Time, and I can't wait to see how it all ends.

I really tore through this one, read it no time. I was afraid I wouldn't like it as I knew the Pevensie children didn't feature but Eustace and Jill were more than apt substitutes, and the ending of the book back at Experiment House was brilliant (I'd love to say why I liked it, but I don't want to spoil it!). Bring on 'The Last Battle'.
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The Voyage of the Dawn Treader

October 25th 2006 06:23


The 5th book in the Chronicles of Narnia, 'The Voyage of the Dawn Treader' once again features the Pevensie children and is set only three years on from the events of 'Prince Caspian'. Of the five Narnia books I have read so far, I think this one is perhaps my favourites.

Edmund and Lucy are whisked off to Narnia (their older siblings are now too old to go there) once again, this time via a magically-realistic painting of a ship. Along for the journey this time is Eustace Scrubb - their cousin, a rather bothersome and rotten boy always out to spoil other people's fun and ready to moan and complain about anything and everything.

On their arrival in Narnia, the Pevensie children and Eustace find themselves aboard the Dawn Treader, a ship under the command of King Caspian (from the previous novel). He is on a double-quest, of sorts. He is sailing east to explore the various islands - discovered and undiscovered alike - in the hopes of finding seven loyal lords that his treacherous uncle had sent away some years previously, and (mainly at the behest of the valiant mouse Reepicheep) aims to sail as far east as possible - to see what lies beyond their maps, and maybe to find Aslan's country.

This is probably the most epic of the Narnia books so far... the story follows a quest format, our heroes travelling from island to island and encountering all manner of strange, disturbing and wonderful phenomena. We meet dragons, dufflepuds, sea serpents and retired stars, witness the Island Where Dreams Come True (a rather nightmarish sequence) and see a kingdom of merpeople. Most memorable of all is the book's final sequences, which I won't spoil here.

My favourite character in the Narnia books so far would have to be the fearless mouse Reepicheep, a more fitting end to such a moving (and amusing) hero could not have been written. Aslan only features a little in this book, but his words - as always - are steeped in Christian-like parable and never has C. S. Lewis' Christian agenda been more apparent than in one particular sentence spoken by Aslan here, but I think it's forgiveable because Lewis still manages to be a little bit subtle about it and it's only a brief part of the book. The character of Eustace makes for some of the book's more interesting sequences and his eventual redemption (which I suspected was coming from the start) is one of the more touching chapters in the entire series so far.

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Monster Blood Tattoo

October 18th 2006 06:07


This is a new-ish book by one D. M. Cornish (I thought this was a pen-name at first, but some rather shallow digging on the internet proved that it probably isn't). It's a 'childrens' fantasy book (oh how I loathe that classification!)... well, to be more precise, it's a trilogy of books, this one that I've just read is only the first and is called 'Foundling'.

Our story begins with Rossamund, the 'foundling' of the title - an orphan. He has unfortunately, and so far inexplicably, been saddled with a girl's name - something that has been the bane of his life so far. Rossamund, like the other orphans at Madam Opera's Estimable Marine Society for Foundling Boys and Girls, has fond hopes of becoming a vinegaroon (a sailor). Unlike the other orphans though, he has a dark fascination with lahzers, leers and skolds - those who have made it their profession to fight monsters.

This is the Half-Continent, a world where humanity has been at war with countless breeds of monsters since time began. The skolds are your regular monster-hunters, armed with knowledge and the ability to make destructive potives (potions) - a kind of 'combat chemist'. Leers are those who wear specially-adapted wooden boxes on their faces - these boxes have bizarre organs attached to their insides which allow the wearer to heighten their senses and perception - these guys can follow scents and sounds and not much escapes them. Unfortunately, if they wear the box for too long the organs inside can grow up into their various orifices and make it hard for removal!

And then there are the lahzers, who I suspect most of the trilogy will focus on. These are humans who have had special organs surgically grafted into their bodies to give them special abilities to help them fight monsters. There are two types of lahzers - the wits, who can stun and fight with their minds, and the fulgars, who can release and attack with electrical currents.

It's said that D. M. Cornish spent 10 years creating his world of the Half-Continent and all those who dwell in it before finally being badgered into writing a book that would exploit his creations. It shows - there is a LOT of background behind every sentence, character, place and thing that features in this book. Cornish is also a talented illustrator and he gives us pictures of all the major characters throughout the book - which is very useful considering there is a lot to absorb. There is also an incredibly detailed map and an 80 page glossary at the back explaining various bits and pieces!

The book itself comes across as a mix of Dickens and new-wave fantasy... Cornish has gone to great pains to avoid the cliches and hallmarks of the fantasy genre, using Dutch and Germanic-like phonetics to give his world a unique feel, and avoiding magic altogether (any bizarre powers featured in this book are a result of dark and disturbing biological-grafting - a kind of mix of rising industrial age-Europe and abominable genetic engineering). The story itself is a good craic, even if Cornish does tend to do exposition a little awkwardly at times. I can't really blame him though, he's created this incredibly detailed world and only has about 300 pages of teenage-aimed text to use it in, but I can't help but feel he might've held off a bit on some of the explanations to allow the characters and story breathe a little bit more.

Anyway, this is a great and original fantasy book, written by an Australian author who looks to have a great body of work ahead of him. Bring on the next Monster Blood Tattoo book!
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Truckers

October 15th 2006 12:47


'Truckers' is the first book in a trilogy of children's books by Terry Pratchett written in the early 90s. They're a few of the handful of books that Pratchett has written not set in the Discworld universe. 'Truckers', whilst being a fairly slight book and written in a manner that makes it possible for people of all ages to enjoy it, is very amusing and a cracking good adventure too


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Fantasy and Science-Fiction resources

October 12th 2006 12:10
Was doing a bit of trawling across the web today... looking at a bit of this, and a bit of that, and ended up collecting together a fair bit of sci-fi and fantasy sites (often under the more open-ended name of 'speculative fiction' - a good title as far as grouping the genres together goes, but I doubt it will ever take off from a marketing perspective).

Anyway, here's some sites I found


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Prince Caspian

October 8th 2006 10:32


'Prince Caspian' is the 4th book in C. S. Lewis's 'Chronicles of Narnia' series, though it was originally published second (and written third!). The Pevensie children from 'The Lion, The Witch and the Wardrobe' are once again the main stars of the action and find themselves whisked away back to Narnia some time after their original adventures there


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Brilliance of the Moon

October 3rd 2006 07:25


'Brilliance of the Moon' is the third book in the Tales of the Otori series by Australian author Lian Hearn and rounds off the initial trilogy that the books form. It's a lot faster paced and to-the-point than it's predecessors and I found myself tearing through it rather quickly, eager to see how it all wraps up


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The Horse and His Boy

September 27th 2006 08:02


'The Horse and His Boy' is the third book in the Chronicles of Narnia series, intended by it's author to be read after 'The Lion, The Witch and the Wardrobe'. Confusingly, it was released fifth of the seven Narnia books, and was written fourth... how delightfully higgledy-piggledy! In spite of all this, it's actually a decent story on it's own and I don't think it's probably all that neccessary to read any other books in the series if you wanted to just read this one


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Grass For His Pillow

September 26th 2006 05:50
'Grass For His Pillow' is the second novel in Lian Hearn's popular and acclaimed fantasy/adventure series 'Tales of the Otori'. Focusing on the feudal intrigues of rival Clans of Samurai warlords in a Japan-like land known only as 'The Three Countries', the series mainly follows two central characters; the conflicted and almost super-human assassin-Lord, Takeo, and the abused, cursed and strong-willed Lady Kaede - lovers seperated by rigid codes of class and Takeo's own ambiguous loyalties.

This book picks up almost immediately from the end of 'Across the Nightingale Floor'. Takeo has joined with the mysterious and ammoral group known only as The Tribe, and this book does a lot to answer all the questions we might have asked ourselves about them in the first book. Kaede, on the other hand, returns to her homelands to find them in ruin and her half of the book is about her own self-actualisation, her growing thirst for power and her general transformation from naive young girl to responsible adult as she takes up the reigns of her native Clan


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Well, it looks like Lemony's Snicket's popular and miserable 'Series of Unfortunate Events' is about to come to an end. The 13th book in the series, ominously titled simply as 'The End' will be released on the 13th of October, which also happens to be Friday the 13th


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The Golem's Eye

September 21st 2006 03:17

The Golem's Eye is the second book in the much-acclaimed Bartimaeus trilogy, a trio of teen-aimed fantasy novels that exist as a kind of antidote to the wide-eyed idealism of the Harry Potter series. In Jonathan Stroud's Bartimaeus trilogy we see a class of magicians who rule over Britain as imperialistic tyrants... treating the non-magician underclass as little better than slaves. In Stroud's vision of an alternate magic-wielding human race we see that all power corrupts, without exception.

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The Lion, The Witch and the Wardrobe

September 19th 2006 04:55


'The Lion, The WItch and the Wardrobe' is a deadset motherfucking children's classic. The film? Haven't seen it. Do I want to? Maybe. Who can tell these things. Is the book good? Hell yes


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Across the Nightingale Floor

September 12th 2006 07:04


'Across the Nightingale Floor' is the first book in a trilogy known as 'Tales of the Otori', an historical/fantasy series set in a land based on feudal Japan. They are written by an Australian author, "Lian Hearn" (more about the author at the bottom of this review), and have become tremendously popular since their release not so long ago. So much so that two follow up books are already planned


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